#Anna nicole smith skyscraper outtakes movie
A bad guy tracks her down, but when the lift doors open, Carrie’s already snuck through the hatch that all movie lifts have in the ceiling. In one scene, Carrie hides in a lift, and for some reason, drags a middle-aged office drone into the metal box with her. By our estimation, the heroine manages to inadvertently cause the deaths of at least three innocent people, and worse, she doesn’t even seem to realise she’s partly responsible. Instead, Carrie’s not so much average and relatable as straight-up clumsy. With her Texan accent and immaculate fingernails, Carrie is certainly an unlikely action hero, and the film could’ve played with this in the same way that Die hard portrayed John McClane as a mortal, average cop before he started gunning down all the bad guys. Carrie Wink, who’d flown Fairfax to the roof of the building in the first place, heads downstairs to use the phone and becomes embroiled in the terrorist plot. For reasons unknown, Fairfax and his army of goons take over a high-tech Los Angeles building, lock all the doors and hold a bunch of office workers at gunpoint. What is this super-weapon? We’re never told, but it’s small enough to fit in a brief case and it is, according to Fairfax, “A small price to pay for infinite power!”Īll of this leads to the Die Hard bit of the story. Meanwhile, the plot: verbose bad guy Fairfax (Huber) wants to get his hands on some form of super-weapon, and he’s making deals with all kinds of other shady types across Los Angeles to collect its four constituent parts. “Lads won’t be disappointed,” enthuses another. Instead, Skyscraper exploits the presence of its leading lady in every way it can – and a quick glance at the critical notices on the DVD cover give you an idea of the level of its ambition: “Ms. Huber as the main villain – better known these days as a politician in his native Germany. Aside from Smith, the biggest star in is Richard Steinmetz, best known from US soap operas, Brank Cikatic, a former kickboxer from Croatia, and Charles M. Poor Anna Nicole Smith doesn’t have any of this in Skyscraper. The advantage Anderson had, though, was that her movies tended to pair her with some not entirely terrible production values and more established actors as co-stars – Raw Justice also featured Stacy Keach, while the $9 million comic book adaptation Barb Wire also had Xander Berkeley and Udo Kier to lend support. Around the same time, another actress and former Playboy model, Pamela Anderson, was also making action movies with the likes of Raw Justice (1994) and Barb Wire(1996). Skyscraper, meanwhile, asked Smith to shoulder a whole movie on her own – a potentially daunting prospect, but not an entirely improbable one, given that Smith had co-starred in the action sequel To The Limit a year earlier – a film also directed by Skyscraper‘s Raymond Martino. Second, it asks former Playboy model Anna Nicole Smith to pick up a gun and become a high-kicking ’90s action heroine.īy the mid-90s, Smith had already made the jump to the big screen with appearances in such films as the Coen brothers’ The Hudsucker Proxy and comedy sequel, Naked Gun 33⅓.
#Anna nicole smith skyscraper outtakes tv
Skyscraper distinguishes itself with two major changes: first, it tries to remake Die Hard with roughly the same budget as an episode of the old TV soap, Dynasty. For one thing, it doesn’t even attempt to put the “one unprepared hero versus the bad guys” concept in a new setting instead, it basically lifts the entire plot wholesale from Bruce Willis’s 1988 hit, and even attempts to restage some of its major action set-pieces. Skyscraper was surely the most brazen – and sauciest – Die Hard clone to emerge from that whole strange period. Keanu Reeves bulked up for the surprise hit, Speed (the one on a bus) in 1994. Sylvester Stallone broke a run of box office disappointments with Cliffhanger (the one on a mountain) in 1993. Steven Seagal scored a decent hit with Under Siege (the one on a warship) in 1992. Back then, we were in the midst of a Die Hard clone epidemic – movies that attempted to copy its single-location thriller template to varying degrees of success.
So too, it seemed, did the makers of another film called Skyscraper, this one from the distant year of 1996.
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